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«Slimi» pattern in handwoven carpet

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«Slimi» pattern in handwoven carpet

Slim design in Iranian carpet

Slimi design in Iranian handwoven carpets, relying on the principles of aesthetics and complex geometric structures, is an outstanding example of Islamic and traditional decorative art, which embodies the splendor and complexity of art in its diverse and symmetrical compositions. This design, which has been specially used in different periods of Iranian carpet weaving art, has led to the creation of distinct and harmonious textures by repeating complex patterns of plant and flower motifs along with curved and continuous lines. Slimes are designed using curved lines and plant decorations continuously in a repetitive and balanced pattern, which are precisely and regularly connected, creating an atmosphere full of movement and visual dynamism. These motifs, which are usually in symmetrical formats and simultaneously linked with geometrical symmetries, technically by using various colors and textures, create images that harmoniously and seamlessly match geometric dimensions and traditional designs. In contemporary carpets, the use of modern techniques in dyeing and weaving, along with the re-creation and adaptability of Slimi designs, not only helped to preserve this ancient art but also added to its diversity and visual freshness, so that these designs continue to be a symbol of the aesthetics and originality of art. They are considered Iranian carpet weaving.

The position of slim design in Iranian carpets

Slimi design in Iranian carpets has a special place in decorative art and texture design and is known as one of the main pillars of aesthetics and artistic structures in this art. This design, by using curved, complex and repetitive lines, especially in the form of plant and decorative patterns, plays a fundamental role in creating symmetrical and harmonious compositions. In Iranian carpets, the Islamic design is commonly used as a key pattern in design, helping to create unique and attractive works of art that simultaneously conform to Islamic geometric principles and aesthetics.  
Technically, slime design is used for its ability to create harmony and visual balance in complex textures, especially in large and small size rugs. By using various color combinations and different textures, these motifs provide the possibility of creating multi-layered and deep patterns that add to the visual richness and aesthetics of the overall effect and strengthen the harmony in the design.  
In the field of carpet weaving, the Slimi design is also considered as a symbol of the continuation and revival of traditional decorative art, and by maintaining its structural and visual characteristics, it is always a key element in the show alongside other traditional designs such as "Bete Jakeh" and "Tree of Life". Iranian aesthetics and culture are used. In addition, the use of Slimi design in contemporary carpets by using modern dyeing and weaving techniques has helped to maintain and improve the position of this design in the art of carpet weaving and has turned it into a contemporary artistic language with historical authenticity.  
Slimi design in Iranian carpets is considered not only as an artistic design model, but also as a key element in creating balance, aesthetics and cultural continuity in the art of carpet weaving.

The background of the use of Slimi design

The history of using Islamic designs in Iranian carpets goes back to the early periods of Islamic decorative art and represents the intersection of Islamic art and architecture with traditional Iranian weaving techniques. The Islamic design, which is considered one of the most widely used and well-known decorative patterns in Islamic art, reached its peak of prosperity in the Middle Ages in Islamic countries, including Iran, especially during the Seljuq, Safavid, and Qajar periods.  
During the Seljuk period (11th and 12th centuries AD), Slimi patterns were used as a part of architectural and decorative designs, and gradually these patterns were transferred to the art of carpet weaving. In this period, the carpets woven with slim designs gained a special place due to the aesthetics and precision in the design. Slime's intricate and curving patterns were used as premium features in the rugs, using advanced weaving techniques to create highly detailed and visually appealing designs.  
During the Safavid era (16th and 17th centuries AD), Slimi designs were perfected, especially in the carpets produced in workshops in Tabriz and Isfahan. This period is known as a golden period in the art of Iranian carpet weaving, in which carpets were made with complex and varied slime patterns, especially with the use of vivid colors and complex weaving techniques. In this period, Islamic designs in carpets were widely used as a symbol of Islamic art and beauty, and they were able to depict plant and abstract patterns with great skill.  
During the Qajar era (19th and early 20th centuries AD), the use of Islamic designs was continued and completed with new cultural and artistic influences. In this period, the trend towards complex designs and woven decorations, especially in carpets produced in prestigious workshops, continued and Slimi designs were recognized as one of the cultural and artistic symbols of Iran.  
In general, the background of the use of Slimi design in Iranian carpets represents a long and continuous tradition in Iranian decorative art, which is continuously enriched by various historical and cultural influences and is still considered as one of the key and lasting elements in the design and texture of Iranian carpets. goes.

Slim design in today's carpets

Slimi design is still used in today's carpets, especially in the contemporary era, as one of the key and popular patterns in the design and texture of these works of art, and is known as a living and dynamic symbol of Islamic decorative art in modern Iranian carpets. Keeping their traditional and basic features, these designs are used in a wide range of contemporary styles and modern techniques, which has enriched and transformed this ancient art.  
In today's carpets, the slime design has been dramatically updated with modern dyeing and weaving techniques, especially the use of high-quality fibers and vibrant and varied colors. These patterns have simultaneously maintained their complex features and classic aesthetics and adapted to contemporary aesthetic needs. Today's slime designs often include complex combinations of curved lines, floral and floral motifs, and visual repetitions that are accurately and modernly portrayed in new forms.  
New techniques in weaving and dyeing, including the use of synthetic dyes and advanced weaving technologies, especially in carpets produced using modern machinery, have helped create brighter and more detailed images of slime designs. This technical development has been particularly effective in the mass production and export of Iranian carpets and has significantly improved the quality and beauty of these works of art.  
In addition, in contemporary designs, Slimi design has been considered as a modern and creative element along with other traditional and contemporary patterns, especially in modern interior spaces and contemporary decorations. These changes, especially in contemporary carpet designs, have enabled the integration of traditional culture and innovative designs and have led to the creation of new and different works of art in the Iranian carpet weaving industry.  
In general, Slimi design in today's carpets, relying on traditional features and adapting to modern trends, remains as a key element in the design and texture of Iranian carpets and is continuously evolving and evolving. These developments represent the continuity and dynamism of Iranian carpet weaving art as well as its ability to adapt to contemporary needs and new aesthetics.

Slimi motifs in the designs and patterns of indigenous rural and nomadic carpets of Iran.

Salimi motifs are used in the design and pattern of the indigenous rural and nomadic carpets of Iran, emphasizing the principles of aesthetics and traditional design, especially as key elements in the art of carpet weaving in different regions of Iran. These motifs, which are woven especially in rural and nomadic areas, represent a combination of Islamic and local artistic traditions that are uniquely embodied with the local characteristics of each region.  
In rural and nomadic carpets, Slimi motifs with their special features, such as curved, complex and repetitive lines, are creatively used in various formats such as borders, backgrounds and central patterns. These motifs are often designed with less complex images and natural and local colors due to technical limitations and the use of simpler raw materials. But at the same time, these designs have been able to keep the principles of slime in simpler and localized formats.  
In these rugs, slime motifs are usually used as decorative and coordinating symbols in larger designs using hand-weaving techniques and traditional tools. These motifs can include vegetal and floral elements with curved and flowing lines, commonly seen in Islamic art, as well as geometric shapes and local-specific compositions that are directly influenced by the natural and cultural environment of the region.

For example, in the nomadic carpets of Kermanshah and Kurdistan regions, Slimi motifs are artistically designed, especially in the edges and corners of the carpets, using dark and light colors and simpler combinations than traditional Slimi designs. These designs are usually directly inspired by nature and the daily life of nomads and are created with the utmost care and skill of local weavers.  
Also, in the rural carpets of the central regions of Iran, Slimi motifs are used using natural colors such as red, blue, and yellow, in a balanced manner and according to the principles of traditional design, especially in the central areas and edges of the carpet. These designs represent the continuity and survival of traditional carpet weaving art along with contemporary innovations and the use of native patterns.  
In general, Islamic motifs in the indigenous rural and nomadic carpets of Iran represent an artistic integration of the principles of Islamic aesthetics and local and cultural elements that are specifically and uniquely embodied in the art of carpet weaving in these regions by preserving the traditional and native characteristics.

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All kinds of slim designs of native Ili and rural carpets

Slimi designs are used in the native carpets of Ili and rural areas of Iran, especially in different regions of this country, with their own characteristics, and in a way, they represent a combination of Islamic art and local cultural elements. These designs display various forms and styles according to the environment, culture, and native weaving techniques of each region. In the following, the types of slim designs in native Ili and rural carpets have been investigated:

1. Simple slime design

In this type, slime motifs are used in a simple way with less complicated designs. These designs usually include curved lines and primitive plant shapes that are used in borders or as part of carpet backgrounds. This style is the most common type in native and rural carpets due to its simplicity and the use of limited raw materials.

2. Slim designs with plant motifs

In these designs, slimy motifs are used using more complex plant and floral patterns, especially in the northwestern and western regions of Iran. These designs can include combinations of leaves, flowers, and plant tendrils that are regularly and repetitively created in different areas of the rugs. This type of design is mostly seen in nomadic and rural carpets that are directly influenced by the natural environment.

3. Slim designs with geometric elements

In some native and rural carpets, slim designs with geometric combinations and mesh designs are used. These designs may include complex combinations of geometric shapes such as circles, rhombuses, and rectangles with slime patterns, which are especially seen in carpets of central Iran.

4. Slim designs with local influences

In these designs, Slimi motifs are specially combined with local cultural and artistic elements. For example, in the native rugs of the Kermanshah region, slime designs may be combined with specific local motifs such as animals or traditional objects. These types of designs are mainly influenced by the daily life and local culture of each region.

5. Mixed slime designs

In some rural and Ili carpets, Salimi motifs are combined with other traditional designs. For example, slime designs may be used alongside other famous motifs, such as "Bete Jakeh" or "Tree of Life". These designs are usually creatively combined to create new and unique visual patterns.

6. Slim designs with natural colors

In many indigenous and rural carpets, the use of natural colors such as vegetable and mineral colors is widely used to create slimy motifs. These colors usually include variations of brown, red, blue, and yellow, which naturally add to the aesthetics and durability of the carpet in harmony with slim designs.  
All in all, the types of Slimi designs in the native Ili and rural carpets of Iran represent the diversity and richness of the art of carpet weaving in these areas, and they are a good indication of the continuity and compatibility of traditional art with local needs and cultures.

The structure of Slimi design in traditional motifs in rural and nomadic carpets

The structure of the Slimi design in the traditional motifs of the rural and nomadic carpets of Iran is mainly designed based on the principles of traditional aesthetics and local textures, and it displays special features that result from the interaction between Islamic art and local cultures. Using hand weaving techniques and natural raw materials, these designs create unique works of art that well represent the culture and art of different regions of Iran. The structure of these plans generally includes the following:

1. Curved and repetitive patterns

The slime design in rural and nomadic carpets often includes curved and complex lines that are used repeatedly in different areas of the carpet. These lines are usually designed in zigzag, spiral, and circular forms and are used in symmetrical combinations. These features help create movement and dynamism in the design, while simultaneously maintaining visual balance and harmony, and exhibiting a certain aesthetic.

2. Combination with plant and natural motifs

In native and nomadic carpets, slimy designs are often combined with plant and natural motifs. These motifs can include flowers, leaves, and ivy that are harmoniously combined with slim curves. These designs are usually simpler and less detailed than urban and artistic rugs, but they are particularly in tune with the natural environment and rural life.

3. Using natural and local colors

In these carpets, natural and local colors such as vegetable and mineral colors are mainly used to create slim designs. These colors include variations of browns, reds, blues, and yellows that come from natural sources and help create slim designs with natural colors, especially with raw materials like wool and fluff. This choice of colors is directly dependent on the environment and local resources of each region.

4. Relying on hand weaving techniques

In rural and nomadic carpets, hand weaving techniques are used, which mainly include hand knotting and traditional weaving. These techniques allow weavers to accurately and artistically create slime motifs using simple tools and indigenous raw materials. These texture methods help to preserve the traditional features and originality of the design.

5. Combining with other traditional designs

In some rural and nomadic rugs, Slimi motifs are simultaneously combined with other traditional designs, such as "bete jagheh", "tree of life", or simple geometric patterns. These combinations creatively create new and unique visual motifs and patterns that well represent the diversity and richness of the local carpet weaving art.

6. Balance and symmetry

Slimi designs in native and nomadic carpets are mainly designed with emphasis on balance and symmetry. These features are especially visible in the borders and backgrounds of the rug and help maintain the visual balance and overall aesthetics of the rug. This symmetry is usually designed more simply and with repetitive patterns.

Slimi design in contemporary Iranian carpets

Slimi design in contemporary Iranian carpets represents a combination of traditional authenticity and modern innovations, which has been created in response to the increasing aesthetic and practical needs in the world of interior design. During this period, contemporary rugs reached a new level of sophistication and precision using advanced weaving techniques, including machine and hand weaving. Slime's designs, particularly characterized by curved lines, floral tendrils and symmetrical repetitions, have been significantly altered and rendered more vivid and detailed by the use of artificial colors and modern dyeing techniques.  
The use of modern fibers and high-quality raw materials such as nylon, acrylic and special wools has not only increased the durability and lifespan of carpets, but has also provided the possibility of creating shiny and diverse colors. These technological advances have made slime designs more accurately and with more details, and more visually impactful. Also, the integration of slime designs with contemporary patterns and global influences, especially in modern and minimalist designs, has given contemporary rugs an innovative and adaptable aspect to modern interior decoration.

In addition, mass production and the use of advanced machinery in weaving, especially in carpet factories, made it possible to design complex slime designs at lower costs, thus making contemporary carpets more widely available. These changes, especially in urban carpets and modern interior designs, represent an important change in the production and design process of slimi carpets, which has given more glory and durability to the art of Iranian carpet weaving by preserving traditional features and accepting modern innovations.

Various compositions in the design of Iran's Slimi rugs in the contemporary period  
Slimi design compositions in contemporary Iranian carpets are mainly created by combining tradition and modernity. In this period, curved lines and classic plant tendrils merge with modern minimalist and geometric designs to simultaneously express traditional aesthetics and modern utility. The use of advanced dyeing and weaving techniques, such as digital dyes and synthetic fibers, has helped create intricate designs and vibrant colors. These changes, especially in the fields of urban carpets and modern decorations, have helped to improve the quality and durability of slimi carpets and show the continuity and innovation in the art of Iranian carpet weaving.

Types of slime designs in the art of Iranian carpet weaving

1. Ivy designs

These designs include tendrils and curved lines that are designed repetitively and symmetrically across the field. Ivy can be monochromatic or multicolored with plant decorations and flowers.

2. Floral designs

In these designs, flowers and leaves are variously and intricately placed next to the slim lines. These flowers may be designed in a fine and delicate or large and prominent way, and generally add to the beauty and diversity of the design.

3. Tree designs

These designs abstractly use trees and branches and usually include curved lines and intricate branches that fit harmoniously into the design of the rug or artwork.

4. Network plans

Grid slime designs include symmetrical and repetitive patterns that are designed in a grid and checkerboard pattern. These patterns can include simple or complex geometric shapes and dramatically contribute to visual balance.

5. Circular designs

These designs mainly consist of repeating circles and loops linked by slime lines. Circles may be arranged freely or harmoniously in more complex designs.

6. Circular and star designs

Circular and star designs include circular and star patterns with intricate slime designs. These designs are especially used in decorative and architectural fields and are outstandingly effective.

7. Combined designs

In these designs, various slime elements, including tendrils, flowers, and curved lines, are creatively combined to create complex, multidimensional motifs. These combinations can include multi-color combinations and detailed details.

8. Botanical designs

These designs are based on plant elements such as flowers, leaves, and fruits and are especially abstract and aesthetically combined with slim lines.

Final word

In the end, Slimi design rugs represent a unique combination of traditional art and modern innovations in the world of design and weaving. These designs, which benefit from the complexities of curved lines and beautiful repetitions, are not only derived from the principles of Islamic aesthetics, but in the contemporary era, by using advanced technologies and new materials, they have been manifested in new and more attractive forms. By maintaining the traditional principles and at the same time accepting modern changes, Slimi design carpets have been able to find a special place in contemporary art and decoration and decorate different spaces as a symbol of creativity and rich Iranian culture. These carpets, combining complex and symmetrical designs with modern colors and advanced weaving techniques, are still recognized as one of the most outstanding manifestations of the art of carpet weaving in Iran and the world, and help strengthen the connection between tradition and modernity.

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Azitta Farahani

Azitta Farahani

آموختن کوچک‌ترین رسالتی است که بر دوش انسان‌هاست. من نیز خود را در انجام درست این رسالت شریک می‌دانم ، آزیتا هستم بیش از 6 ساله که وقتم را صرف تحقیقات و پژوهش در صنعت فرش کرده ام . امیدوارم بتونم صریحترین محتوا را در این عرصه در اختیارتون بزارم

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